FMST 1198 - GOGGLEBOX: BRITISH TELEVISION ANALYSIS AND INDUSTRY

Minimum Credits: 3
Maximum Credits: 3
Long Description The gogglebox, the tv set, or perhaps these days your phone or tablet: The small screen takes many forms these days, and is 'on demand' in a way unlike any other time in the last century. Britain has a long and complex history of televisual endeavours. The influence of the BBC, ITV, Channel Four and now the streaming giants on British social, cultural and economic practices is immeasurable. The theoretical half of this course will critically engage with genre, national identity, culture wars and the sense of self Britain gets from the massive output of content on these shores, whilst simultaneously examining the nuances of British television industry practices, funding structures and distribution networks. The practical half of this course will seamlessly integrate practical exercises that make connections between these case studies and technological and industry policies and practices. While the title of this course refers to British television, this misnomer will form an undercurrent running through every session: who decides what British identity vis a vis television is? Who is defined as British on screen? What outputs are embraced as emblematic of Britain and who is excluded and overlooked? Why say British at all and not English since this course will not examine specific Scottish, Welsh or Irish productions? Through written critical work and practical exercises in pitching ideas and analyzing television scripts, students will leave with a critical and practical foundation in the British television industry. This course is a Category II elective that counts for the major, minor, and TVBA certificate. This course takes place in London as part of the Pittsburgh London Film Program.
Academic Career: Undergraduate
Course Component: Lecture
Grade Component: Letter Grade

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